The Building Design of Chengdu Contemporary Art Centre by Zaha Hadid Architects

The Chengdu Contemporary Art Centre was designed by Zaha Hadid Architects. It was the largest cultural building in China. It was located in Chengdu in Sichuan Province. The contemporary design consisted of three auditoria, an art museum, exhibition space and conference centre, plus restaurants, bars and shops. To provide shade from the sun, the facade consisted of criss-crossing louvres.

The contemporary building was a new cultural destination for Sichuan Province. An unprecedented collection of world-class arts, performance, leisure, and congress venues was provided.

CCAC would be a regional art and music centre of international standing. There were three auditoria, an art museum, an exhibition centre, a conference centre, a learning centre, bars, restaurants and shops. The largest of the three halls was a multifunctional theatre. It had seats up to 2,000 people. The second hall attended for lyrical theatre and music events, with a seating arrangement of up to 870 people. The third auditorium was used as a music hall. Designed for natural acoustic, this hall provided space for more 1,000 audiences. The conference centre consisted of 8,000m2. It separated into 16 equal and independent accessible conference rooms. A flexible 10,000m2 exhibition centre was sitting at the main entrance level. The art museum consisted of approximately 15,000m2 net. Exhibition area was located below the roof. It would benefit the natural lit exhibition spaces. The aim of the building design was to resolve the complexities of the program and to combine spatial clarity with the design of a unique and iconic structure. A rolling landscape was suggested the undulating building geometry, according to the topography of Sichuan Province.

The building architecture was featured by its aerodynamic geometry and flexible performance spaces. Adjacent to CCAC, to strengthen links with the urban fabric designed the extensive new landscaping. The building design was an integral part of the architectural design. The building architecture was a unique structure with a strong sense of identity and character. It was easy identified. It provided a strong image and orientation. Chengdu’s reputation was famous as a cultural destination. An iconic architectural image for the city was provided. The architectural concept has been developed in response to articulate the client’s programme and the urban parameters. The building architecture showed a graceful, iconic landmark for the city of Chengdu. Using the most advanced architectural and engineering technologies was the concept for CCAC. It made a visually striking new landmark that acted as a gateway to the city. CCAC developed one of the city’s great social spaces as well as a regional cultural centre of international standing.

The concept of the contemporary design came from an understanding of the urban dynamics and the client’s programme. With a height of 70 meters, the form of the building’s undulating showed its own distinctive profile within an emerging cluster of tall buildings. Contrasting the neighbouring high-rise buildings, the 470m elongated structure reached almost parallel to Tianfu Avenue. The curvilinear shape looked like a rolling landscape according to the topography of Sichuan Province. The undulating shell was created in response to articulate the programme. The twisting a rectangular tube created three distinct programmatic areas. The lowest part, the centre of the building, seated the main atrium. The head to the north seated all performance and art related areas. The conference centre and the exhibition centre was accommodated the tail to the south. Adjacent to the building, over 60 per cent of the remaining site was used to parkland. The impression of a wooded environment adjacent to the eastern site border was created the informal planting of mature trees. To create a generous public realm, the structure was adjusted back from the street. The building of the opposite Aquarium created an urban plaza with a central fountain. A water amphitheatre focused of the site northern edge. The use of an orthogonal, using of standardized components and to simplify the construction process would be helped the repetitive plan and structural system for the back of house areas.

An ever changing appearance once moving around the building was created the shingle-like glazing. To maximize the views and to minimize solar gain, the gradually changing louvers were created.

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